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To See the Next Part of the Dream
by Parannoul
supported by 12 fans who also own “Kill The Man”
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too.
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ITEKOMA HITS
by Otoboke Beaver おとぼけビ～バ～
supported by 12 fans who also own “Kill The Man”
Exceptional punk music! I love sloppy punk, but this manages to be clean without without losing any energy at all (maybe even getting more of it in the process!). Can't recommend it enough and show them to everyone I know
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Masana Temples
by Kikagaku Moyo/幾何学模様
supported by 11 fans who also own “Kill The Man”
Oh how I long for this album in vinyl format! Such smoothness. Such warmth. Such execution. This music begs to be taken along and woven into memories. Everyone I’ve shared this album with has loved it. The music speaks far and wide. Shouting out to a fellow follower, Brian Lehmann, for his excellent taste in music. If not for him, I likely would have never stumbled upon this absolute gem!
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Monster Truck Mondays
by The Empty Threats
Tightly wound post-punk with splashes of new wave; heavy on twangy riffs, phased-out melodies, and understated vocals.
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Bleak, throbbing work that lands halfway between coldwave and shoegaze, this Berlin group hits that spot just under the breastbone.
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The latest album from the punk outfit features angsty post-punk tracks.
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supported by 10 fans who also own “Kill The Man”
Floor-to-ceiling Boris ragers! It’s like they looked back on songs like Statement and Woman On the Screen and said “let’s do a whole album like that!” Most of these tracks don’t even pass 3 minutes! Zerkalo holds up the middle with some anguished doom. In the end, *NO* is as strong and declarative as it’s title.
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